The Westford Knight is a mysterious, controversial stone carving in Massachusetts. Some believe it is an effigy of a 14th century knight, evidence of an early European visit to the New World by Henry Sinclair, the Earl of Orkney and Lord of Roslin. In 1954, an archaeologist encountered the carving, long known to locals and ascribed a variety of origin stories, and proposed it to be a remnant of the Sinclair expedition. The story of the Westford Knight is a mix of history, archaeology, sociology, and Knights Templar lore. This work unravels the threads of the Knight's history, separating fact from fantasy.This revised edition includes a new foreword and four new chapters which add context to the myth-building that has surrounded the Westford Knight and artifacts like it.

In New England today, there are megalithic stones, stone chambers and structures, carvings and petroglyphs, even an unidentified skeleton in armor that defy easy explanation. From Maine to Massachusetts, this work presents an examination of various unexplained historical remains in New England. From the most notorious to the lesser known, it explores not only the layout and dimensions of such sites--some reminiscent of Stonehenge with their huge stones, astronomical alignments and undiscovered purposes--but also the history and possible explanations for their existence. Theories regarding Norse, Phoenician, Irish, Celtic and Native American origins are presented here in an impartial and logical manner. Sites discussed include Dighton Rock in Berkley, Massachusetts; Newport Tower in Newport, Rhode Island; the Bellows Falls Petroglyphs in Bellows Falls, Vermont; and Mystery Hill in North Salem, New Hampshire (also known as America's Stonehenge), with expanded coverage new to this edition. An appendix provides information regarding sites open to the public.

For decades, David Goudsward has been a leading authority on the obscurer historical and topographical corners of his native New England. In this lavish and detailed treatise, he has written the definitive treatment of Lovecraft's connections with the Merrimack Valley of coastal Massachusetts and New Hampshire. Goudsward traces Lovecraft's initial visits in the 1920s to such towns as Newburyport, Haverhill, and Hampstead, where he met such colleagues as Charles W. "Tryout" Smith, Myrta Alice Little, and Edgar J. Davis. Later visits clearly inspired many of the topographical features in such tales as "The Shadow over Innsmouth" and "The Shadow out of Time." Goudsward has made a profound study of Lovecraft's letters and other documents in tracing the Providence writer's movements in the area and the impressions he drew from it. This book is lavishly illustrated with dozens of photographs of the locale, including many vivid period snapshots that show the towns and other landmarks as they would have been seen by Lovecraft himself. Goudsward also treats the possibility that Lovecraft visited Mystery Hill, a megalithic site that some scholars believe inspired "The Dunwich Horror." "H. P. Lovecraft in the Merrimack Valley" is an exhaustive treatment of a subject that has rarely been discussed before, but that is of crucial importance to H. P. Lovecraft's life and imagination.

"Help me! Help me!" Andre Delambre is a devoted husband, a loving father and a brilliant scientist. When his body is found in his laboratory with his arm and head crushed by a hydraulic press, his wife Helene admits to having killed him. Believing Helene incapable of such a crime, Andre's brother slowly uncovers the truth - that an experiment with Andre's new teleportation device went horribly wrong and Andre persuaded Helene to assist him in suicide. When the American Film Institute distributed a ballot with 400 nominated movie quotes to a jury of over 1500 film industry figures, the abovequote came in 123rd. But this film's influence extends far beyond a simple quote. The movie's concept, ending and the quote have permeated pop culture from 1958 to The Simpsons to a 2008 opera based on a 1986 film remake by David Cronenberg. The original movie The Fly was the surprise hit on 1958. Shot in 18 days at a cost of $450,00 dollars, it brought in $6 million, which at time when Fox Studios was in desperate need of a hit. It was the biggest box office film of director Kurt Neumann but he would never know - he died one month after the premiere (a week before the movie was released nationally). This film made a star of David Hedison and cemented Vincent Price's place among the horror film immortals. It is more than a tale of science gone wrong and hideous mutants. It is a film classic, the rare perfect blending of story, cast and crew, with the fantastic elements in sync with the universality of Andre's struggle with what he had hoped to do with this technology and what actually happened to him. That struggle touches everyone who has ever watched this film and why, after 50 years, it remains aclassic. Complete with reminiscences from the film's star, David Hedison, this book covers the history and legacy of this seminal science fiction film.